First to react, of course, is ... the pizza, or what's left of it, still in the microwave.
(Of course, it's sheltered from sight by the tentacle-beast and the microwave itself, so it'll be some time, yet, before any of the humans around are able to tell what's happened there.)
The monster is second, perhaps because of the previous song's effects, and perhaps because of the effects of whatever turned it into a tentacle monster in the first place.
But it doesn't just transform back into a dog, no matter how helpful that might have been.
No... instead, it shakes itself, as a wet dog might, and then unshakes itself, somehow, and then –
Then, it gets strange.
(Yes, then it gets strange, and wasn't particularly, before.)
Then, it starts returning to its origins, by ... moving backward. First it unreaches into the microwave, and then it unducks from beneath the counter, and then it starts to back its way right out of the room... and off down the hall, so long as Mo keeps playing.
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(Of course, it's sheltered from sight by the tentacle-beast and the microwave itself, so it'll be some time, yet, before any of the humans around are able to tell what's happened there.)
The monster is second, perhaps because of the previous song's effects, and perhaps because of the effects of whatever turned it into a tentacle monster in the first place.
But it doesn't just transform back into a dog, no matter how helpful that might have been.
No... instead, it shakes itself, as a wet dog might, and then unshakes itself, somehow, and then –
Then, it gets strange.
(Yes, then it gets strange, and wasn't particularly, before.)
Then, it starts returning to its origins, by ... moving backward. First it unreaches into the microwave, and then it unducks from beneath the counter, and then it starts to back its way right out of the room... and off down the hall, so long as Mo keeps playing.